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In the past, slipcasting was primarily considered an industrial method.
Today, however, ceramic artists are adapting its techniques to create a
wide range of beautiful and highly individualised pieces. Sasha Wardell
clearly explains and demonstrates the techniques involved and shows how
they can be adapted for the studio workshop. This book gives the reader
a thorough grounding in all aspects of mould making and slipcasting.
Examples of the work of an international group of artists are used to
illustrate the breadth and versatility of the work that can be created.
images in this second edition have been updated to colour, along with a
newly revised chapter on individual approaches by well-known